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Paintings (Read 16978 times)
Ayn Marx
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Re: Paintings
Reply #60 - Dec 30th, 2020 at 9:48am
 
I’ve lived in Eaglemont where the ‘Eaglemont School' produced any number of wonderful landscapes and even though it was a built up area in the 1990’s I could still work out where this painting was produced due to being able to site the mountains in the distance.

Arther Streeton’s ‘ Golden Summer, Eaglemont’ is at the top of my list of images produced by this group.


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Re: Paintings
Reply #61 - Dec 30th, 2020 at 1:13pm
 
Frank wrote on Dec 30th, 2020 at 9:45am:
https://www.gustave-courbet.com/images/paintings/the-trout.jpg

"A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion." Robert Hughes



Perhaps, but Courbet had the advantage of the evolution of painting by a couple of centuries. Silly comparison.
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Re: Paintings
Reply #62 - Dec 30th, 2020 at 1:53pm
 
Mr Hammer wrote on Dec 29th, 2020 at 8:31pm:
Ayn Marx wrote on Dec 29th, 2020 at 7:51pm:
I remember vividly enountering this as a child in a Melbourne gallery and realising for the first time the emotional power of such images. https://en.wikipedia.org/wiki/Frederick_McCubbin


I just knew it was going to be a rugged, outdoors type.

Has your foetid imagination taken you any further?
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Re: Paintings
Reply #63 - Dec 30th, 2020 at 2:04pm
 
Sometimes a painting, without being world shatteringly brilliant, can have the power to induce profound emotions. This image for me captures the essence of outback isolation and loneliness. Not a place or state I ever want to be in.
Think this one is by Russell Drysdale - correct me if I’m wrong.

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Re: Paintings
Reply #64 - Dec 30th, 2020 at 8:20pm
 
Contemporary Australian. R. Forlani


...
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Re: Paintings
Reply #65 - Dec 31st, 2020 at 9:54pm
 
issuevoter wrote on Dec 30th, 2020 at 1:13pm:
Frank wrote on Dec 30th, 2020 at 9:45am:
https://www.gustave-courbet.com/images/paintings/the-trout.jpg

"A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion." Robert Hughes



Perhaps, but Courbet had the advantage of the evolution of painting by a couple of centuries. Silly comparison.

There is no 'evolution' in paintig. Silly notion.

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Estragon: I can’t go on like this.
Vladimir: That’s what you think.
 
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Re: Paintings
Reply #66 - Dec 31st, 2020 at 10:07pm
 
Frank wrote on Dec 30th, 2020 at 9:45am:
https://www.gustave-courbet.com/images/paintings/the-trout.jpg
"A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion." Robert Hughes

But did he become a vegetarian?
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Re: Paintings
Reply #67 - Dec 31st, 2020 at 10:08pm
 
Ayn Marx wrote on Dec 30th, 2020 at 2:04pm:
Sometimes a painting, without being world shatteringly brilliant, can have the power to induce profound emotions. This image for me captures the essence of outback isolation and loneliness. Not a place or state I ever want to be in.
Think this one is by Russell Drysdale - correct me if I’m wrong.



That is a great painting.

I have been very far out west. It has that sense.
I  love it
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Re: Paintings
Reply #68 - Dec 31st, 2020 at 10:09pm
 
issuevoter wrote on Dec 30th, 2020 at 8:20pm:
Contemporary Australian. R. Forlani


https://i.postimg.cc/8zR8gg2M/R-Forlani.jpg


What a Brave Artist
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Re: Paintings
Reply #69 - Jan 1st, 2021 at 6:18am
 
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Re: Paintings
Reply #70 - Jan 1st, 2021 at 7:53am
 
Frank wrote on Dec 31st, 2020 at 9:54pm:
issuevoter wrote on Dec 30th, 2020 at 1:13pm:
Frank wrote on Dec 30th, 2020 at 9:45am:
https://www.gustave-courbet.com/images/paintings/the-trout.jpg

"A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion." Robert Hughes



Perhaps, but Courbet had the advantage of the evolution of painting by a couple of centuries. Silly comparison.

There is no 'evolution' in paintig. Silly notion.



Primary school response.
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Re: Paintings
Reply #71 - Jan 1st, 2021 at 8:18am
 
There's a lot of this kind of painting around today, where the draughtsmanship has old-school accuracy, and the colour palette is hyper-primary. I'll be the first to admit I don't understand the choices.


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Re: Paintings
Reply #72 - Jan 1st, 2021 at 10:04am
 
issuevoter wrote on Jan 1st, 2021 at 8:18am:
There's a lot of this kind of painting around today, where the draughtsmanship has old-school accuracy, and the colour palette is hyper-primary. I'll be the first to admit I don't understand the choices.


https://i.postimg.cc/TY9rv54T/S-Fisher.jpg
The artist could be colour blind or trying to express their first impression of such a landscape when they  encountered it. The worst reason for this coloration could be to make the work sell.
‘Fashion’ in the fine arts could be the simple explanation. On the other hand an experience I had in a friend’s commercial gallery might explain things.
I’d always regarded my art as no more than for my own relaxation and therapy refusing to sell any even to friends. My gallery owner friend invited me to an opening he was putting on suggesting I’d actually enjoy the experience and change my mind about putting on an exhibition of my own stuff. I coped with the cheap wine, crappy food etc but when I overheard a couple discussing a particular painting I departed determined to never get involved in the commercial side of the art world.
Here’s a brief précis of the conversation I witnessed.
Him “Darling, I really like this one and it would fit perfectly over the sideboard in the dining room”
Her “No way would that look good against the orange leather on the dining chairs”
Him “But darling, I’m sure if we ask the artist he’ll do a version for us with lots of orange’
If any of you think this is a modern phenomena familiarity with the Vatican’s history of patronage and demands of artists would change your mind.
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Re: Paintings
Reply #73 - Jan 1st, 2021 at 10:20am
 
Ayn Marx wrote on Jan 1st, 2021 at 10:04am:
...............   I’d always regarded my art as no more than for my own relaxation and therapy ...........



I've done only a few paintings. Will do more.
For me it is emotional expression, a release.
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Re: Paintings
Reply #74 - Jan 1st, 2021 at 4:59pm
 
The greatest Australian Artist (and designer) that I know of is an American by chance. Burley-Griffith who was part of the greatest Artistic eras (Art Deco) which is still 'visually' more pure than any other decade and its cacophony of styles fighting it out.

The intelligent designs and visual angle Griffith bought to the concept of a 'City' is awesome.

I like Artists who 'Dream Big'.
More so than the likes of a painter on a 1m squared canvas.

The people of the World are waiting for a Dream Big (as big as a 'nation' Wink) Artist.
Not some 'old' historic artist or some meaningless abstract kiddie art.
The people of the World want a Game Changer.

The majority of Australian Artists follow the Gov-General to European style Art or the PM to American/Disney style Art.
Or Media Art - which is all about Archibald 'celebritiness'.

Dream Big when it comes to Art in Australia.
Wink
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