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Paintings (Read 17102 times)
Ayn Marx
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Re: Paintings
Reply #165 - Jan 17th, 2021 at 7:38am
 
A while ago I mentioned Roger Kemp in passing. His ‘abstractions’ are anything but yet when he first appeared on the commercial art scene in Melbourne he was almost universally rejected. At the time anyone who lurched towards the modern was rejected by most galleries. I’ve taken some time to return to his work finding it far more dynamic than I remember it. There’s a dynamism and movement in most of his compositions (which to my eye) take them beyond mere abstractions.
I suggest he’s yet another Australian artist still undervalued today.

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Re: Paintings
Reply #166 - Jan 17th, 2021 at 5:32pm
 
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.
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Re: Paintings
Reply #167 - Jan 17th, 2021 at 6:59pm
 
issuevoter wrote on Jan 17th, 2021 at 5:32pm:
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.

Are you sure that’s what he’s alluding to? I’m not but sadly he’s departed the planet so I can’t ask him. However I do recall him once telling us at an exhibition of his work “My Symbols are intended to suggest how modern man was scientifically, intellectually and spiritually evolving into a higher entity.” or words to that effect.
Here’s another of his works friends of mine owned for some years. I always felt I could ‘Go walking in it’
This discussion has posed more questions than I have answers for even though I spoke with Kemp about his work so I’ve ordered this little tome to fill in the gaps.
https://www.thenile.com.au/books/david-hurlston/roger-kemp-visionary-modernist/9781925432695?gclid=EAIaIQobChMIqqbV8dei7gIVlYdLBR17xwVoEAQYASABEgLNBvD_BwE


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« Last Edit: Jan 17th, 2021 at 7:53pm by Ayn Marx »  

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Re: Paintings
Reply #168 - Jan 17th, 2021 at 7:27pm
 
issuevoter wrote on Jan 17th, 2021 at 5:32pm:
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.


I can’t imagine what a subtle image of the Crucifixion would involve. Since early childhood I’ve found images of Christ on the cross deeply disturbing.  I still find the theology underlying images of a deity torturing his son (who is actually part of himself ) disturbing. I’ve probably said too much about all this on other sections of the forum so will resist sermonising.
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Re: Paintings
Reply #169 - Jan 17th, 2021 at 8:58pm
 
Ayn Marx wrote on Jan 17th, 2021 at 6:59pm:
issuevoter wrote on Jan 17th, 2021 at 5:32pm:
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.


Are you sure that’s what he’s alluding to?



Yes, I am quite sure.

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Re: Paintings
Reply #170 - Jan 18th, 2021 at 1:29pm
 
issuevoter wrote on Jan 17th, 2021 at 8:58pm:
Yes, I am quite sure.

"For a specific example of Kemp’s mature work, we may take his winning entry in the 1968 Blake Prize entitled The Cross.  This is not just a cruciform design representing the cross of Calvary, which would give the painting a ready if shallow intelligibility.  It must be understood more profoundly in terms of the interplay of the symbols of his pictorial language.  It is an opening to a metaphysical, not a literally religious, meaning.  The cross, he said in a 1975 ABC interview, draws each person back to their own centre… We have lost our centre.  The cross is to bring us back.  People are alienated today.  The central cross is a point of balance, of reference.  The cross stands for rebirth.  The human figure of his earlier work remains embedded in his cruciform shapes.  Thus Kemp took up Gleeson’s metaphor: All the crosses in my paintings are like figures, like ballet choreography starting to move with the music.  They break and then come together" (The Australian, 9 September 1978).
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Re: Paintings
Reply #171 - Jan 19th, 2021 at 9:43pm
 
Ayn Marx wrote on Jan 18th, 2021 at 1:29pm:
issuevoter wrote on Jan 17th, 2021 at 8:58pm:
Yes, I am quite sure.

"For a specific example of Kemp’s mature work, we may take his winning entry in the 1968 Blake Prize entitled The Cross.  This is not just a cruciform design representing the cross of Calvary, which would give the painting a ready if shallow intelligibility.  It must be understood more profoundly in terms of the interplay of the symbols of his pictorial language.  It is an opening to a metaphysical, not a literally religious, meaning.  The cross, he said in a 1975 ABC interview, draws each person back to their own centre… We have lost our centre.  The cross is to bring us back.  People are alienated today.  The central cross is a point of balance, of reference.  The cross stands for rebirth.  The human figure of his earlier work remains embedded in his cruciform shapes.  Thus Kemp took up Gleeson’s metaphor: All the crosses in my paintings are like figures, like ballet choreography starting to move with the music.  They break and then come together" (The Australian, 9 September 1978).


This is a long-winded way for Kemp to admit the crucifixion is deep in his psyche. He needs to paint flowers and lighten up.

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Re: Paintings
Reply #172 - Jan 19th, 2021 at 11:04pm
 
Ayn Marx wrote on Jan 17th, 2021 at 7:27pm:
issuevoter wrote on Jan 17th, 2021 at 5:32pm:
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.


I can’t imagine what a subtle image of the Crucifixion would involve. Since early childhood I’ve found images of Christ on the cross deeply disturbing.  I still find the theology underlying images of a deity torturing his son (who is actually part of himself ) disturbing. I’ve probably said too much about all this on other sections of the forum so will resist sermonising.


You're confused to your Christian theocracy. God didn't torture His Son. Mankind tortured and murdered His Son. The God-Deity did this so that Mankind could recognise the Evil in the heart of Man.
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Re: Paintings
Reply #173 - Jan 20th, 2021 at 4:53pm
 
Mr Hammer wrote on Jan 19th, 2021 at 11:04pm:
Ayn Marx wrote on Jan 17th, 2021 at 7:27pm:
issuevoter wrote on Jan 17th, 2021 at 5:32pm:
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.


I can’t imagine what a subtle image of the Crucifixion would involve. Since early childhood I’ve found images of Christ on the cross deeply disturbing.  I still find the theology underlying images of a deity torturing his son (who is actually part of himself ) disturbing. I’ve probably said too much about all this on other sections of the forum so will resist sermonising.


You're confused to your Christian theocracy. God didn't torture His Son. Mankind tortured and murdered His Son. The God-Deity did this so that Mankind could recognise the Evil in the heart of Man.


Bollocks

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Re: Paintings
Reply #174 - Jan 20th, 2021 at 7:08pm
 
Mr Hammer wrote on Jan 19th, 2021 at 11:04pm:
You're confused to your Christian theocracy. God didn't torture His Son. Mankind tortured and murdered His Son. The God-Deity did this so that Mankind could recognise the Evil in the heart of Man.

Biblical apologetics is a pathetic, third rate discipline and you’re not very good at it.
Possibly you should meditate upon God’s omniscience and it’s implications in the light of ‘him’ knowing where the creation of our species would end. You might also gain some understanding of the theological ‘mysteries’ by pondering where the creation of ’the evil in the heart of man’ came from. And don’t bother trying to pull that old trick of God having granted humankind free will. In the light of God’s omniscience the sadistic nature of that supposed being is fully illustrated in granting free will.You may also wish to digest the contradiction between Psalm 62 V 11 and Psalm 62 V 12.
If none of that works for you continue on your mission supported by the consolation of Romans Ch 10. V 15.



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« Last Edit: Jan 20th, 2021 at 7:26pm by Ayn Marx »  

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Re: Paintings
Reply #175 - Jan 20th, 2021 at 7:17pm
 
issuevoter wrote on Jan 19th, 2021 at 9:43pm:
This is a long-winded way for Kemp to admit the crucifixion is deep in his psyche. He needs to paint flowers and lighten up.


I’m sure he’d be delighted to follow your artistic recommendations. Unfortunately he departed the planet on 14th September 1987
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Re: Paintings
Reply #176 - Jan 20th, 2021 at 11:14pm
 
issuevoter wrote on Jan 20th, 2021 at 4:53pm:
Mr Hammer wrote on Jan 19th, 2021 at 11:04pm:
Ayn Marx wrote on Jan 17th, 2021 at 7:27pm:
issuevoter wrote on Jan 17th, 2021 at 5:32pm:
Kemp's allusion to Crucifixion is just a bit too blatant for my taste.


I can’t imagine what a subtle image of the Crucifixion would involve. Since early childhood I’ve found images of Christ on the cross deeply disturbing.  I still find the theology underlying images of a deity torturing his son (who is actually part of himself ) disturbing. I’ve probably said too much about all this on other sections of the forum so will resist sermonising.


You're confused to your Christian theocracy. God didn't torture His Son. Mankind tortured and murdered His Son. The God-Deity did this so that Mankind could recognise the Evil in the heart of Man.


Bollocks



Never mind.
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Re: Paintings
Reply #177 - Jan 20th, 2021 at 11:17pm
 
Ayn Marx wrote on Jan 20th, 2021 at 7:08pm:
Mr Hammer wrote on Jan 19th, 2021 at 11:04pm:
You're confused to your Christian theocracy. God didn't torture His Son. Mankind tortured and murdered His Son. The God-Deity did this so that Mankind could recognise the Evil in the heart of Man.

Biblical apologetics is a pathetic, third rate discipline and you’re not very good at it.
Possibly you should meditate upon God’s omniscience and it’s implications in the light of ‘him’ knowing where the creation of our species would end. You might also gain some understanding of the theological ‘mysteries’ by pondering where the creation of ’the evil in the heart of man’ came from. And don’t bother trying to pull that old trick of God having granted humankind free will. In the light of God’s omniscience the sadistic nature of that supposed being is fully illustrated in granting free will.You may also wish to digest the contradiction between Psalm 62 V 11 and Psalm 62 V 12.
If none of that works for you continue on your mission supported by the consolation of Romans Ch 10. V 15.





I'm not apologising for the Bible. I'm an existentialist.
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Re: Paintings
Reply #178 - Jan 23rd, 2021 at 10:12am
 
Neferti wrote on Dec 26th, 2020 at 9:26am:

I adore his work but at times it’s hard for me to be objective about many of his seaside views as I grew up on or near them. Makes me homesick at times.
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Re: Paintings
Reply #179 - Jan 25th, 2021 at 7:18pm
 
There are more than a few paintings I’m fascinated by without being able to explain my attraction to them. I suspect my reaction in this case is more to do with me reading my life experience into this portrait rather than anything the artist intended.
  Portrait of a Carthusian ( 1446 ) by Petrus Christus manages to convince (delude?) me I know/knew this man. 

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