Grappler Truth Teller Feller
Gold Member
Offline
Australian Politics
Posts: 80214
Proud pre-1850's NO Voter
Gender:
|
Jack Taylor.
Based on Ken Bruen's noir series about an ex-Garda (Irish police) officer turned private investigator in Galway.
Unfortunately, though I looked forward to seeing this film, it did not capture the true noir of Jack Taylor, with his absolute cynicism and drinking to extreme and propensity for violence and some very deep and dark associates. Instead it gave us a rather sensitive character who cared deeply without being sufficiently innured to violence and nastiness and prepared to go the whole hog when driven to it. Damn - it didn't even explore his possession of his old Gard coat and the perpetual conflict between the Gardae and Jack over its return as a piece of state property.
Also missed out on posing 'Ridge' - the female Garda officer - as 'straight' rather than lesbian and somewhat confused about it, and instead substituting the interplay between the two, Jack and the lesbian, with a developing romantic style attachment of a younger woman to the older and worn Jack.
Also failed dismally in trying to put together too many Jack Taylor strands in one - the film was loosely - and I say loosely - based on 'The Magdalen Martyrs' - a much darker and hideous tale than that portrayed, and which did not involve directly Jack Taylor's mother.
Would have been better served in developing the conflict between mother and son over a series, rather than trying to cast the whole thing in a short-cut style of thing in one film and laying the entire blame for the mother/son matrix on the Magdelen upbringing that his mother did not have in the books.
Also did not develop in any meaningful way the conflict between Jack and Father Malachi, but sort of coasted along on the assumption that any viewer had read the books.
In terms of characterisation, the lead male did not carry the character noir of Jack Taylor.... too 'snaggy' and too given to walking the straight and narrow, whereas Bruen's Jack Taylor was content to breach the rules at the drop of a hat and to resort to violence of the third kind as often as necessary.
Far too soft for Our Jack in Galway and should have been more of the total drunk iconoclast sort of Jack Reacher type.
Should have been done as a series and not a film, and the director needs shooting. I think it was somehow waylaid by an Irish kind of morality, where the lead character must in some way always be seen to be holy and somehow saintly, regardless of his actions.
|